Performance II/ rouge starts 1/4 note later than the white one. Caused by the rhythmic acceleration within the course of time an increasing difference between the two images evolves, an insistent friction between the two cycles of movement, meanwhile the tonal field changes constantly due to rhythmic overlaps. The setting sets into scene a kind of mirror of movement, concentrating on delays within the perception and memory of kinethetic processes with its manifold structures between image and after-image, between sound and echo.